Eighteenth-Century Ballet

Edmund Fairfax

Skip to content
  • Home
  • Blog
  • Technique
    • Ch. 1 Preliminary Considerations
      • Preliminary Considerations
    • Ch. 3 The Carriage of the Body and the Positions of the Feet
      • Turnout
      • La Statue
    • Ch. 4 The Movements of the Legs
      • Retombé Tendu and Retombé Plié
    • Ch. 5 The Positions and Movements of the Torso
      • Balancement
    • Ch. 6 The Positions and Movements of the Arms
      • Fifth Position of the Arms
    • Ch. 7 The Positions and Movements of the Head
      • Spotting
    • Ch. 8 Introduction to the Steps
      • Tempo
      • Entrances
    • Chs. 9-29 The Steps
      • Pas de Rigaudon
  • Contact
Search

Ch. 4 The Movements of the Legs

Share this:

  • Facebook
  • Twitter
  • Email
  • Pinterest

Like this:

Like Loading...

Enter your email address to follow this blog and receive notifications of new posts by email.

Join 59 other followers

Blogroll

  • Gavotte de Vestris
  • Harlequin
  • Ivo Cramér: Ballet pantomime
  • Ivo Cramér: danse du tambourin (La fille mal gardée)
  • Peasant Pas de Deux (Giselle)
  • Saint-Léon: pas de six (La vivandière)
  • St.-Léon: pas de deux

Recent Posts

  • Eighteenth-Century Dance Shoes
  • The Eighteenth-Century Dance Mask
  • Dancing to One’s Own Beat in Early Ballet
  • When Ballet Laughed: Comic-Grotesque Steps of Early Ballet
  • The Arabesque of Eighteenth-Century Ballet
  • The Bent-Legged Jumps of Eighteenth-Century Ballet
  • The Boned Arm of Eighteenth-Century Ballet
  • The High Leg of Eighteenth-Century Ballet
  • Eighteenth-Century Pointe
  • Was the “Wrapped” Position Used in the Eighteenth Century?
Blog at WordPress.com.
loading Cancel
Post was not sent - check your email addresses!
Email check failed, please try again
Sorry, your blog cannot share posts by email.
%d bloggers like this: